Free Quiz
Back to Blog
Cantaloupe Island Chords for Jazz Guitar: The Chart and 3 Voicings

Cantaloupe Island Chords for Jazz Guitar: The Chart and 3 Voicings

jazz standards Nov 10, 2026

Short answer: Cantaloupe Island, by Herbie Hancock, is a 16-bar tune with three chords: F-7, D♭7 and D-7. Each chord lasts four bars: F-7, then D♭7, then D-7, then back to F-7. On many charts the same chords are written Fm7, D♭7 and Dm7.

Herbie Hancock16 bars3 chordsCentered on F minor4 bars per chord

Not sure what to practice next? Take the free 10-minute Guitarist Profile quiz →

Master Standards Blueprint · Vol. 1

Cantaloupe Island chord chart

16
bars · four bars per chord
1F-7
2%
3%
4%
5D♭7
6%
7%
8%
9D-7
10%
11%
12%
13F-7
14%
15%
16%

% means the same chord as the bar before. The colors match the voicings below.

The voicings

3 Cantaloupe Island voicings

3
shapes · 5th to 11th fret

These are the voicings we use on this tune in the Master Standards Blueprint. Two of them are one shape: the "So What" chord. Play it at the 8th fret for F-7 and at the 5th fret for D-7. The orange dot is the root.

8fr×FB♭E♭A♭C
Minor
F-11
The "So What" shape at the 8th fret
9frD♭×BFB♭×
Dominant 7
D♭13
Root on the low E string, 9th fret
5fr×DGCF×
Minor
D-11
The "So What" shape at the 5th fret

The same voicings as fret numbers, low E string to high E string (x = don't play that string):

Chart saysPlayFrets (low E → high E)
F-7F-11x 8 8 8 9 8
D♭7D♭139 x 9 10 11 x
D-7D-11x 5 5 5 6 x

The two-note version: how Herbie comps it

You could just strum the chords. But I'd rather know how the players on the record approach the tune, and not play the same thing on every song because the chart says so. On the original, Herbie Hancock's right hand plays small two-note shapes. On guitar they sit on the G and B strings:

ChordTwo-note shapes (G string, B string)Notes
F-71 and 1 → 3 and 3 → 5 and 4A♭ + C → B♭ + D → C + E♭
D♭71 and open → 3 and 2 → 4 and 4A♭ + B → B♭ + D♭ → B + E♭
D-7hold the full D-11 voicing

Look at what changes between the first two rows. C moves down to B, and D moves down to D♭. Everything else stays. That's the whole difference between F-7 and D♭7 in this tune, and it tells you how to solo on it too.

On the D-7, hold the chord and leave space. It's a break after the busy first eight bars.

How Cantaloupe Island is built

The three chords sound great together, but they don't come from one key. Here are the ways I make sense of them.

Idea 1
Three minor chords in minor 3rds
Treat D♭7 as A♭ minor (its ii chord). Now it's F minor, up to A♭ minor, down to D minor. Any idea you play on F minor, you can move.
Idea 2
One F triad that changes
Take the bass notes away and you get an F minor triad, an F diminished triad, then an F major triad.
Idea 3
F is in every chord
F is the root of F-7, the major 3rd of D♭7 and the minor 3rd of D-7. It's a safe note anywhere in the tune.

The voice leading is just as simple. Follow one note through the four sections:

LineF-7D♭7D-7F-7
Going downCBAA♭
Going upCD♭DE♭
Staying putFFFF

The D♭7 to D-7 move works because D♭ is also C♯, so it sounds like a leading tone pulling up into D.

Master Standards Blueprint

Where Cantaloupe Island fits

2
new chords · 1 new chord type

Most tune lists come down to "learn these because I say so." I order tunes by one rule: each new tune adds no more than three new chords, and reuses the chords you already know. You learn one new idea and use it right away on the tune in front of you. It feels like walking up a staircase instead of swimming between unconnected islands.

Cantaloupe Island is the fourth tune in Volume 1, "First 5 Jazz Tunes". The whole volume is built on minor pentatonics:

1
So What
D-7 and E♭-7 · one shape
D minor pentatonic over one chord for a long time
2
Milestones
G-7 and A-7 · drop 2 voicings
Pentatonic plus one: add the 9th
3
Little Sunflower
D-7, E♭Maj.7, DMaj.7
Your first major 7 chords, and arpeggios
4
Cantaloupe IslandYOU ARE HERE
F-7, D♭7, D-7
Your first dominant 7 chord, and changing one note of the pentatonic
5
Maiden Voyage
D7sus, F7sus, E♭7sus, D♭-11
Sus chords, and one pentatonic shape that covers them

By the time you reach Cantaloupe Island, you already own most of it:

D-7
from So What
F-7
new chord, but it's the "So What" shape
D♭7
new!

So it costs you two new chords, and one of them is a shape you've played since the first tune. The one new idea is the dominant 7 chord.

That's why it comes fourth and not first. You already have the minor pentatonic under your fingers from three tunes, so here you only have to learn what to change when the D♭7 arrives.

The full system is in the best order to learn jazz standards.

The three Cantaloupe Island classes

Class 1
Melody, bass line and comping
The form, the bass line (root, 5th, flat 7), Herbie Hancock's comping and Pat Martino's way of simplifying D♭7.
Class 2
Pentatonic Change One
F minor pentatonic over F-7, then one note changes for D♭7.
Class 3
Solo study
A full solo built from those pentatonic ideas.

Cantaloupe Island scales (and what matters more)

People search for the scales to use on Cantaloupe Island, so here they are. Read this first, though.

Scales won't give you the music
Matching a scale to every chord is not what professional players are thinking about when they improvise, and it's not what I recommend or teach. People focus on the chord-scale part. I think the voice leading above matters far more if you want ideas that sound musical. The scale is only the filler between the chord tones.

If you want a scale for each chord:

ChordWhat to play
F-7F minor pentatonic. The melody is almost all F minor pentatonic.
D♭7Keep F minor pentatonic and change one note: C becomes B natural.
D-7D minor pentatonic.

That B natural is the bluesy note of the tune. Save it for the D♭7. It stands out much more if you hold it back until its moment.

How I'd learn the tune instead

Step 1
Bass line
Root, 5th and flat 7 on each chord. It's the left hand of the piano part.
Step 2
Comping
The two-note shapes above, and what changes for D♭7.
Step 3
Melody
Learn it by ear. It reinforces the F minor pentatonic sound.
Step 4
Voice leading
Which notes move and which stay, chord to chord.

Then grab real ideas: blues phrases, and what you hear on the recordings. Start with Herbie's original and Freddie Hubbard's solo on it.

Frequently asked questions

What are the chords to Cantaloupe Island?

F-7, D♭7 and D-7. Bars 1–4 are F-7, bars 5–8 are D♭7, bars 9–12 are D-7 and bars 13–16 are F-7 again.

How many bars is Cantaloupe Island?

16 bars, four bars on each chord. You play the form once for the melody and keep repeating it for solos.

Who wrote Cantaloupe Island?

Herbie Hancock.

What scale do you use to solo over Cantaloupe Island?

F minor pentatonic on F-7, the same pentatonic with C changed to B natural on D♭7, and D minor pentatonic on D-7. But a scale for every chord is not how professional players think when they improvise, and it's not what Chase teaches. He starts from the bass line, the comping, the melody and the voice leading.

How do you play D♭7 on Cantaloupe Island?

As a D♭13 with the root on the low E string at the 9th fret: 9 x 9 10 11 x. For soloing, Chase treats it as A♭ minor, or keeps F minor pentatonic and changes C to B natural.

When should I learn Cantaloupe Island?

Early. In the Master Standards Blueprint it's the fourth tune, after So What, Milestones and Little Sunflower. By then you know the D-7 chord and the shape for F-7, so the only new thing is the D♭7.

Keep learning

Go deeper

Not sure what to practice next? Take the free Guitarist Profile quiz: 10 minutes, and you get your practice mindset, your strongest and weakest skills, and a 28-day plan. Find out what kind of jazz guitarist you are →

If you want me to guide you through it, that's what we do inside Chase's Guitar Academy. The Master Standards Blueprint takes you through jazz standards step by step, with the fundamentals and lines that go with each tune, and every week we work through a tune together in the live class. You can try it free for seven days.

"Chase's idea that you should start with small things and build up from essential vocabulary and essential jazz patterns - it's really been an effective way to gain mastery in guitar play." Benoît F., CGA member

50+ five-star reviews from CGA members, most of them on video: read what members say.

Chase Maddox is a jazz guitarist and educator in Miami and the founder of Chase's Guitar Academy. George Benson has called him "an amazing instructor." More free lessons are on his YouTube channel.